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Crisis Chaos II – Where Do We Begin?

One of the most important steps in successful crisis management is determining what type of crisis we are dealing with — and choosing the right strategy accordingly.

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Crisis Chaos I. - What causes a crisis?

When we are affected by the situation, it is easy to think that even a negative article or bad news justifies activating our crisis communication systems (if we have them, of course). However, it is worth knowing that, according to a 2023 study, every negative word in a headline increases the readership of a given article by an average of 2.3%. So, understandably, the press and readers will always be more interested in a headline that presents a situation in a negative light.

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The communications agency FleishmanHillard, led by Anita Balaton, has reached another milestone.

Having left the Café Group last year, formerly known as Café PR, the team, which has won multiple domestic and international professional awards, has finally left the past behind and renewed itself. Under the name FleishmanHillard, they continue to work as one of the largest international communications agencies in Budapest, operating as an independent office. Complemented by new business lines and backed by experienced senior colleagues, they offer a renewed, modular range of services that has made them a recognized player in the market over the past 25 years.

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New Beginnings, Big Changes – A Dynamic Start to the Year

One thing remains constant: change. And for us, 2024 has begun with a major transformation. A new and exciting chapter is unfolding in the story of FleishmanHillard Café—now operating as an independent communications agency with a renewed structure and an expanded digital division. After 24 successful years, during which it has been recognized multiple times as Agency of the Year, FleishmanHillard Café is parting ways with Café Group to embark on this next stage of its journey.

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Ourselves

Trend map – a service provided by FleishmanHillard

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Text effects – PR and literature

If the text is alive, it affects you, it captivates you. If it creates a world, like Árpád Göncz did in The Lord of the Rings. If you want to read it again, underline it, note down one of its masterfully striking sentences, like in Zoltán Pék's translation of Moon Palace (Paul Auster), for example. Or if it is so brilliant that it surpasses even the original, like Mici Mackó by Karinthy.

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